There goes the neighborhood

My house is at the top of a ridge called Nanny Goat Hill. There is a fire sta­tion on Pre­ston street, below the ridge. This sta­tion serves the down­town, so it’s pretty often that I hear the trucks racing past the house, sirens blar­ing. One set of trucks goes up Somer­set Street, on top of Nanny Goat hill, and one set goes below. I like the sound of the trucks. The sirens are excit­ing and alert­ing, they remind me where I am.

Where I am is Chin­atown, and it has been burn­ing down. It has been burn­ing my whole life, really, but these past couple week were par­tic­u­larly incen­di­ary. A couple weeks ago, I was walk­ing home from class and chanced upon the whole of Fire Sta­tion 11, plus some, arranged in a semi-circle around a smol­der­ing house on my block of Bronson.

My room­mate and I had been feel­ing a little groggy, but we chalked it up to fatigue. Then, one even­ing early last week, the smoke detector went off in the base­ment. The ancient fur­nace had finally given up, and was spew­ing car­bon monox­ide. We spent the night on my father’s floor. The next day, my room­mate and I returned to our cold apart­ment, elec­tric heat­ers in tow. It was chilly, but we settled in with blankets and made the best of it. I crawled into my bed, tucked into the chin, and went to sleep.

Tenants look on as firefighters douse their porch

Ten­ants look on as fire­fight­ers douse their porch

I was awoken by sirens, more real and present than usual. The flash­ing lights radi­ated through my half-drawn blinds, cast­ing altern­at­ing bars of red and blue on the wall above my head. I jumped up, ran to the liv­ing room, and saw the flames lick­ing up the porch across the street. My neigh­bors were pour­ing out past the flames in their paja­mas and under­wear. One guy was in his box­ers. First I grabbed some clothes, and then I grabbed my camera.

There is a run­ning bet around here on which porch is going to col­lapse first. The place is not exactly a slum, but it has cer­tainly seen bet­ter days. It’s not the worst place on the street. One of my neigh­bors calls this “the garbage house”.  The kids like to party, but I didn’t expect it to catch fire. My neigh­bor says it was arson, that someone set fire to the recyc­ling, and that another place had been set alight last week. That is truly scary if it is true.

Thank you, fire fight­ers, for being so fast. It is too bad you can’t stop my neigh­bor­hood from burn­ing down.

Oh, one more thing: the land­lord of the garbage house wants to buy the house next door (to the right) and put up a shiny new condo.

Hustle and Bustle

Some­times I feel like I must be wear­ing some sort of a sign, like a “kick me” on my back, or invis­ible ink on my fore­head that says “gull­ible.” I talk to a lot of strangers, and most of the time I enjoy it. In fact, I am try­ing to make talk­ing to strangers my work. Some­times, how­ever, try­ing to be open and enga­ging puts me in com­prom­ising situations.

I was hanging out in the lobby of my hotel on Christ­mas night, and this young guy comes up to me and says “hey, are you from around here?”  Obvi­ously not, oth­er­wise why would I be in this hotel on Christ­mas?  And then he says “I need some help man.” That’s when I flipped on the recorder. Have a listen to the rest:

We were sit­ting no more than twenty steps from “the Mag­ni­fi­cent Mile.”  The fancy stores had been packed with shop­pers buy­ing hand­bags and gad­gets the night before. The street was all but vacant now. It felt like we were the only two people left in a world that had been deserted.

He made his case. It was a scam, and I knew it from the start, but I bought it anyway.

We set out alone through the empty canyons of steel and glass. Around one corner a drunk was yelling at a cop; “fuck you, I ain’t scared of you or nobody!” The cop yelled back “you bet­ter be scared! Scared I don’t put you in a men­tal asylum!” Merry Christ­mas. We marched on, talk­ing, through Grant Park, past the bean, towards the train sta­tion. It was start­ing to get cold. When we finally reached the sta­tion the train had already left.

“Where’s the hostel?”  I said. He was look­ing like crap, slur­ring his speech, stum­bling here and there. I was start­ing to get wor­ried. As we roun­ded the corner head­ing back down­town, he star­ted to tell me a story:

“Once, when I was a kid, my par­ents took me to Navy Pier (where there is a Fer­ris wheel) for the day. My dad gave me ten bucks, for rides and stuff. There was this guy, sit­ting there, beg­ging. I gave him the money. My dad gave me hell, said I was an idiot, that I wasted his ten bucks. But I didn’t feel bad. I fig­ure that that guy must of really needed it.”

When we got to the hostel he didn’t want to stay. I knew he would have to get rid of me. “There’s an all night diner around the corner,” he said, “the sub­way is in the other dir­ec­tion.” I don’t know why I gave him the money. I said good­bye, and we shook hands.

As I turned the corner, I watched him go back into the hostel and make a phone call. In a moment he was back on the street, cross­ing over in the wrong dir­ec­tion. I fol­lowed as he went in to a corner store, and watched as he bought lot­tery tick­ets and an ice cream cone. When he came out of the store the stag­ger was gone. The slur in his speach had cleared up. Back on the side­walk he said to me “hey, be care­full,” and then he was gone.

What Are You Doing Here?

sparse

sparse

“What are you doing here?” said the pair of eyes behind the counter. Good ques­tion. John and I were going to find my grandmother’s house in Hyde Park, an upscale sub­urban com­munity north of the Uni­ver­sity of Chicago. To get there, we had to walk through Chicago’s notori­ous South Side. What the Viet­namese man in the fast food shop meant was “What are you, two white guys, doing in this hard-up black neigh­bor­hood on Christmas?”

The air was clear, bright, and crisp. The wide sub­urban streets were nearly deser­ted. A half hour passed before we saw any­one; a couple of kids rough­hous­ing on the other side of the street. Walk­ing through the neigh­bor­hood from the 47th St. sub­way sta­tion to my grandmother’s, the whole world seemed quiet and still. Christ­mas was cold in Chicago, but it had been warm the night before and every­one seemed to be stuck in the ice. We stopped to give a push sev­eral times along the way.

It wasn’t a long walk, but imme­di­ately upon enter­ing the neigh­bor­hood it was clear we were in a dif­fer­ent Chicago, and curi­os­ity pulled us off course. It seemed like a ghost town, Christ­mas or not. There were a few churches, run down corner shops, and plenty of vacant lots.  Some of the cars obvi­ously hadn’t been moved in some time. There was also plenty of fresh ply­wood on every street, some­times whole rows at once. Many of the big, beau­ti­ful, turn-of-the-century houses were boarded up. One new build­ing was aban­doned half fin­ished. This was the sub-prime mort­gage crisis in action.

We walked for a long time, weav­ing through the side streets until we got cold and hungry. Finaly we came upon the Viet­namese place. “Hot tea?” John asked. “No,” the woman replied “ice tea only” and then con­tin­ued to drink the steam­ing bever­age in her hands. We settled for pop and spring rolls (the unfried Viet­namese variety).

We sat in what could really only be described as the wait­ing room, which had four tables, a tele­vi­sion blar­ing the bas­ket­ball game, and hand-lettered poster on green bris­tol board advert­ising spe­cial hol­i­day cater­ing. The late after­noon sun was stream­ing through the bars over the win­dows, and I was finally start­ing to warm up. I felt good, that con­nec­ted and present feel­ing of inter­act­ing with a new and inter­est­ing place. Then the woman’s hus­band pushed the spring rolls onto the counter and delivered his ques­tion. It wasn’t insult­ing, just mat­ter of fact, unvar­nished, and amp­li­fied by his deliv­ery in halt­ing English.

Until that moment I hadn’t felt unsafe. In fact, every­one we had met was friendly and kind, open even. One man even entrus­ted us with the keys to his car while he went around the corner to get his truck so he could pull his car out of the ice. I’d been to scary places before, down­right dan­ger­ous places too, but I’d never been in a segreg­ated neigh­bor­hood. Until that moment, I hadn’t really under­stood that segreg­a­tion meant that this was a place where there really were no people like me.

I plan on going back again. This trip is over, but it won’t be the last time I come to Chicago.

The spring rolls were delicious.

Hello Chicago

Between terminals at O'Hare

Between ter­min­als at O’Hare

For the second year run­ning, I’m out of the coun­try for Christ­mas. Last year I was in Paris, eat­ing really good Indian food, chocol­ate, and macar­ons. It was the first time I’d skipped the fest­iv­it­ies, and I really enjoyed it. Although it was a bit weird to phone home and hear my fam­ily hav­ing Christ­mas din­ner without me, the com­plete un-craziness of hanging out in the empty city more than made up for it. While every­one else was stressed out about presents and cook­ing, I was free to explore unfettered.

Teenagers at the Cheesecake Factory

Teen­agers at the Cheese­cake Factory.

This time I’m in Chicago, and I’ve con­vinced my father to come. He runs a pub, and works almost every day. I’ve been work­ing on get­ting him to go on a vaca­tion for a long time. The last time we went on vaca­tion together was, well, a long time ago. He always says that all he is going to do is sleep. I never beleive it; he’s actu­ally a pretty ener­getic guy, and besides a pen­chant for nap­ping, he’s restless.

My father’s par­ents met in Chicago. My grand­mother is from Wis­con­sin, and was a singer here when she met my grand­father, a PhD. stu­dent. My mis­sion, on Christ­mas, is to visit all their old haunts. One of my favor­ite things about trav­el­ing is get­ting lost, in a dir­ec­ted sort of way. I’m look­ing for­ward to explor­ing the places where my grand­par­ents were young in a youth­ful city.

Everyone loves The Bean!

Every­one loves The Bean!

I feel con­flic­ted about the United States. Its a place that’s easy to love. Everything is BIG here. Amer­icas don’t really do nuance.  We passed a McDon­alds today that took up a whole city block. Like the other Amer­ican cit­ies that I’ve vis­ited, Chicago has an air of vibrancy and pos­sib­il­ity to it, even in the most dif­fi­cult viol­ent and impov­er­ished places. The unabashed enthu­si­asm of people here is enthralling. It’s infect­ive. They don’t apo­lo­gize for any­thing. People here really believe that is is the best place in the world to live. They’re Amer­ican, and they like it that way.

It is also a ter­ri­fy­ing place. The oppres­sion and exploit­a­tion of minor­it­ies, even in sup­posedly enlightened states like Illinois (they have a Free­dom Museum on the main strip) really leaves a bad taste in your mouth.

Although Chicago and Toronto are of roughly the same age, size, and regional import­ance there is not the same amaz­ing mul­ti­cul­tural mix­ture here. My grand­mother tells stor­ies about grow­ing up Ger­man in Wis­con­sin, where every­one had to learn Eng­lish, regard­less of being Pol­ish, or Ukrain­ian, or Aus­trian. You checked your alle­gi­ances at the door. She can still speak Ger­man. I can’t. I think that the beauty of the United States is in its new­ness. It’s too bad the price is hav­ing to give up your past.

Falling

Photo Detail - A summer storm builds over Nanny Goat Hill

Photo Detail — A sum­mer storm builds over Nanny Goat Hill

I’ve been work­ing on a big pan­or­amic photo (the final print will be about 2 feet by 4 feet) that I star­ted this summer.

It was July, and we’d just moved into the new apart­ment in Chin­atown. The liv­ing room was pretty sparsely dec­or­ated at that point, non­ethe­less my room­mate and I were sit­ting around enjoy­ing the cool sum­mer after­noon.  “Look at that!” he said, and we rushed out onto the bal­cony just in time to see the giant black storm clouds passing over­head. It was a wacky sum­mer, and had rained almost every day. I had been teas­ing my room­mate that he had brought the wet weather with him from Van­couver. This cloud was dif­fer­ent, it was mov­ing fast and very dark. You could feel the elec­tric ten­sion in the air. It was going to rain any moment. I rushed back in, grabbed my cam­era, and fired off a sequence of pho­tos. A few sad little drops star­ted to fall. Then a few more, and all of a sud­den it was rain­ing big wet droplets in a rapid down­pour. And then, just as quickly as it had come, the storm was over.

Which balcony will colapse first?

Which bal­cony will colapse first?

My friends Greg and Matt lived in the white house across the street. It was a com­mon, if not daily, occur­rence for four or five people to be packed onto their little bal­cony in the even­ing, smoking and talk­ing.  From my bal­cony, you could see the old wood sag under their weight. They’d call over “come have a beer,” and I would, mak­ing sure to sit near the door, just in case.  Nobody who lived there seemed too nervous about the dis­tinct slant to the floor or the miss­ing rungs on the rail­ing. About a month before, a bal­cony had col­lapsed in Ott­awa, injur­ing two young women. My room­mate said I was crazy for going over there. So far, everything is still stand­ing. We’ll see what hap­pens in the spring.

Matt and Greg moved to Montreal at the end of the sum­mer. I was sad to see them go. I miss those guys and their crazy ways. There’s nobody else who’ll play fris­bee in the dark at next to mid­night. I hope they’re doing well in their new home town.

Telling Stories


“Art” by Tanya Davis, movie by Andrea Dor­f­man

Look­ing around lately, it seems every­one is suf­fer­ing a crisis of con­fid­ence of one sort or another. There’s the global credit crisis, a man­u­fac­tur­ing slow­down, bail­outs, just about every­one could use some assist­ance. The city of Ott­awa had pro­posed a massive cut to arts fund­ing in the budget for this year. Not all the news is bad though, today I received this note from my city councillor:

“I am writ­ing to let you know that City Coun­cil has rejec­ted all of the pro­posed cuts to arts, cul­ture, her­it­age, museums, and fest­ival fund­ing. This will restore the stable multi-year fund­ing that was prom­ised sev­eral years ago.”

When you’re pas­sion­ate about some­thing, be it art, auto­mo­biles, or aard­varks, I think it’s nor­mal to feel a little alone some­times, like you are the only one who cares about the thing you’re inter­ested in. Its dif­fi­cult to keep going when you think you’re going alone. Thank you City of Ott­awa for keep­ing arts fund­ing, I hope you don’t have to close too many skat­ing rinks!

Art is worth it, whether you’re an indi­vidual or a city.

Where No Cars Should Go

Contractors set concrete for new light posts on Dragon Alley

Con­tract­ors set con­crete for new light posts on Dragon Alley

Let’s start with a song.

Here is the Final Fantasy ver­sion of the Arcade Fire song “No Cars Go”:

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Dragon Alley is a tiny little strip of land. At first look, it’s noth­ing sig­ni­fic­ant. There used to be an old Horse barn at one end, a for­got­ten relic of a bygone age, tucked behind the busy urban inter­sec­tion of Col­lege and Dufferin Streets. Only it turns out Dragon Alley wasn’t so for­got­ten after all. This sum­mer, the Park­ing Author­ity for the city of Toronto tore down the barn, cut down the trees, and ripped up the earth for a new park­ing lot.

You might won­der, why should I care?  Why does this crummy patch of dirt matter?

Cit­ies in the integ­rated world eco­nomy face tre­mend­ous stress, and are chan­ging faster than we recog­nize. We used to live in what eco­nom­ists call “The Keyne­sian City,” an organ­ized city which acted to improve the lives of its inhab­it­ants. This was a city where we were cit­izens, with the recip­rocal and reflex­ive rela­tion­ship of belong­ing to a com­munity. The city was the place with all the swim­ming pools, pub­lic lib­rar­ies, schools, parks, and jobs. The mod­ern, Keyne­sian City pro­tec­ted people from the fail­ures and abuses of cap­it­al­ism. It was a place where people worked together for a com­mon interest.

The Keyne­sian City star­ted to crumble in the 1980s. Power shif­ted out of the hands of the Nation-State and the local com­munity, and into the hands of global insti­tu­tions like the World Bank and transna­tional cor­por­a­tions. Thatcher and Reagan were elec­ted. The Ber­lin wall fell. Tele­vi­sion syn­chron­ized global cul­ture. The very nature of the city star­ted to change. The pur­pose of the city stopped being the wel­fare of the people and star­ted being the attrac­tion of cap­ital and the cre­ation of a suit­able busi­ness cli­mate. With glob­al­iz­a­tion, the Keyne­sian City was replaced by the Entre­pren­eur­ial City. This is where our little park­ing lot fits in.

Fenced off and off llimits

For the past couple of dec­ades, cit­ies have pur­sued policies aimed at trans­form­ing the city from a place to live into a place to do busi­ness. Devel­op­ment of pub­licly owned land and public-private part­ner­ships are char­ac­ter­istic of the Entre­pren­eur­ial City. In our case, “the Toronto Park­ing Author­ity (TPA) has been work­ing with local small busi­ness organ­iz­a­tions to find loc­a­tions for off-street park­ing that will help to keep them com­pet­it­ive with other, lar­ger cor­por­ate retail­ers.” Under­ly­ing this action is a belief and grow­ing real­ity that busi­ness is the core of power and author­ity. With the increas­ing privat­iz­a­tion of pub­lic meet­ing spaces, like Dragon Alley, the indi­vidual is increas­ingly cast as a worker and a con­sumer, not as a com­munity mem­ber and a citizen.

It doesn’t have to be like this. Being poor is not a moral fail­ure, and it is not jus­ti­fic­a­tion for mar­gin­al­iz­a­tion and exploit­a­tion. The con­struc­tion of a park­ing lot in a hid­den and cramped area is dan­ger­ous and ill con­sidered. Con­cerns about viol­ence are a smoke-screen. A park, where the neigh­bors are inves­ted in the upkeep and secur­ity of the space, is inher­ently safer than an empty park­ing lot at night. The privat­iz­a­tion of shared space and pub­lic life is a scourge, and a blight on the health of the city as a liv­ing organ­iz­a­tion. It is unjust to remove green space from apart­ment dwell­ers, the people who need and bene­fit most from pub­lic space. The cold, cal­cu­lat­ing, and fun­da­ment­ally uncar­ing mis­gov­ern­ment by the city of Toronto exhib­ited in their decision to pave Dragon Alley is shame­ful and short sighted.

Dragon Alley isn’t paved yet. Now is the time to speak up, to speak out, and to pro­tect what com­munity we have. This fight is about more than cars and kids, it is about how we ima­gine the city, and our place in it.

Email coun­cilor Adam Giam­brone to tell him you oppose the park­ing lot at 9 Bonar Place.

Learn more about this devel­op­ment at dragon-alley.blogspot.com

and more about the Global City from John Ren­nie Short

Jack­son

The Commons

The Commons

Anna at The Commons

My friend Melanie has a favor­ite neigh­bor­hood cof­fee shop, The Com­mons, on Col­lege street in Toronto West. It’s a cozy little inde­pend­ent place, com­plete with edgy baris­tas, well-worn benches, and fine young things. It has four long tables, and a good vibe. Like most local cof­fee shops, the reg­u­lars here know each other. In this case, they’re part of a semi-urban artistic and pro­fes­sional class. They work together, sleep together, and listen to the same bands. Some are crazy, some are nice. Some are nice and crazy. Sit at the right table, and chances are good that the stranger on the other side will have some com­mon interests or friends. It is a hap­pen­ing little hub. Oh, and the cof­fee is very good.

Melanie and I talked a lot about com­munity, and the value and vagar­ies of pub­lic space, shared cul­ture, iden­tity, race, and place. Inter­sec­tions of dif­fer­ence and com­mon­al­ity abound in the city, and cre­ate ten­sion between com­pet­ing interests. It’s nice to have a place like The Com­mons, where people can come together and share the things they have in com­mon. It scares me that these import­ant meet­ing places are increas­ingly being made private and restricted.

Highway Seven

This is what Canada looks like to me.

This is my Canada.

I just got home from a short trip to Toronto. It was a whirl­wind few days. I filled up on good cheap food, caught up with old friends, and made a few new friends too. I even picked up a half day of work (thanks Rémi). I ran out of time, and didn’t get to see every­one I wanted to see. Guess I’ll just have to go back!

I love being in transit. As a kid, I spent count­less hours rid­ing to Cape Bre­ton and back every sum­mer in the back seat of my family’s old white Toyota. I’ve always been excited by going some­where. There is some­thing free­ing about being on the high­way. I’ve been lucky to have seen a great deal of Canada. For me, the real heart and mean­ing of our coun­try is not in the city but out in the beau­ti­ful and quiet middle of nowhere. We live in an enorm­ous coun­try. Trav­el­ing and sus­tain­ing con­nec­tions and rela­tion­ships across great dis­tances is an integ­ral part of being Cana­dian. When I’m out on the road, I feel at home.

I took this photo on High­way 7, on the way to Toronto, just before the bus stop at the Log Cabin Res­taur­ant near Tweed, Ontario.

Art Attack!

This Sum­mer, I had the good for­tune to pho­to­graph the Second Annual Time Squared event for Gal­lery 101. Artists are crazy folk, and per­form­ance artists are a spe­cial breed. I had a lot of fun, even though I was soaked through and through by pour­ing rain at the end of the day.

Per­form­ance art is a tricky thing to do under any cir­cum­stances, and a tricky thing to pho­to­graph.  The work is fleet­ing and exper­i­en­tial. An essen­tial part of the per­form­ance is the rela­tion­ship between the per­former, the sur­round­ings, and the audi­ence, so that in a sense, the audi­ence is a part of the art­work. I’ve always con­sidered pho­to­graphy to be a bit of a per­form­ance art. On that day, there happened to be a giant per­form­ance of the cere­mo­nial guard at Par­lia­ment Hill, dir­ectly across the street from the G101 event. They had can­nons and all, it was a real pro­duc­tion. It was the kind of thing that makes artists, most who are already neur­otic, totally insane. We had to roll with it, and in the end, I think the crazi­ness of it all it made the day a little bit better.

Look­ing back, I think that I made sig­ni­fic­ant pro­gress this sum­mer. My pic­tures were big­ger, bet­ter, and more fre­quent than the sum­mer before. Sum­mer ’08 was the sum­mer I moved away from my home town. It was also the sum­mer I moved back. I came back to Chin­atown, to where I grew up, after almost a dec­ade in exile.

Com­ing home was as big a big deal as leav­ing was, and it shows in my pho­tos. I’ve been work­ing on a pro­ject about the idea of home for a long time, and I feel like the pic­tures from this year have moved this pro­ject for­ward. The next step will be to take the pro­ject fur­ther, into the com­munity. Stay tuned.

Three pic­tures from the “Home” series will be on dis­play at the Car­leton Uni­ver­sity Art Gal­lery this month as part of a group show. I’ve been work­ing with the gal­lery over the past few months, and it is a pleas­ure and a priv­ilege to show there.

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down­load this and many other fine songs at Kelp Records

Gal­lery Information:

HERE — The Car­leton Uni­ver­sity Art Gal­lery Show

7 – 10 Novem­ber 2008
Car­leton Uni­ver­sity Art Gal­lery, St. Patrick’s Build­ing
Open­ing recep­tion: Fri­day, 7 Novem­ber, 12:00 – 1:00 p.m.

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